High Life

2017年度巴洛克音乐节的压轴音乐会，呈献意大利巴洛克时期著 名作曲家佩尔戈莱西的不朽名作《圣母悼歌》，为本届音乐节画 上完美的休止符。 With an emotive rendition of Pergolesi’s magnum opus Stabat Mater, the Baroque Music Festival 2017 drew to a memorable close. PLAY 由 澳门法国文化协会主办，并获 澳门特别行政区政府及澳门基 金会大力支持的第三届巴洛克音乐 节，一连七日在澳门多个具有特殊历 史及文化意义的地点举行音乐会，其 间邀请了三组来自法国的乐团，为广 大观众和古典乐爱好者展现巴洛克时 期的独特旋律。本届巴洛克音乐节的 压轴音乐会，假陆军俱乐部举行。在 朱里奥• 马雅里尼的指挥下，尼斯歌 剧院女子合唱团与尼斯爱乐乐团弦乐 四重奏，为观众演绎意大利著名巴洛 克作曲家佩尔戈莱西的传世巨作《圣 母悼歌》。 O rganizedbytheAllianceFrançaisede Macao with generous support from the Macao SAR Government and Macao Foundation, the 3rd Baroque Music Festival presented a series of concerts by outstanding ensembles from France at several historic venues across the city. At the last night of the week-long programme, under the baton of maestro Giulio Magnanini, theWomen’s Choir of Opéra Nice Côte d’Azur and String Quartet of Orchestre Philharmonique de Nice delivered a persuasive interpretationofPergolesi’s chef-d'œuvre at the Military Club. 佩尔戈莱西（1710 至1736 年） 本名乔瓦尼• 巴蒂斯塔• 德拉基，是 那不勒斯乐派的领军人物之一，曾创 作了最少三部圣乐巨作及六部性质题 材各异的歌剧。他生于意国中部城镇 耶西，年仅二十六岁时便因肺痨而撒 手人寰，卒于意国南部城镇波佐利。 尽管天妒英才，佩氏在有生之年却著 作甚丰，对后世音乐发展之影响亦不 容小觑。巴洛克时代后期，随着法国 和德国等地的崛起，意大利在音乐领 域已不再独领风骚。《圣母悼歌》乃 佩氏在逝世前数星期完成的遗作，堪 称众多圣母圣歌中的经典名作。 Born in Jesi and deceased in Pozzuoli,GiovanniBattistaDraghi(1710- 1736), better known as Pergolesi, was a prolific composer for his lamentably young life cut short by tuberculosis. A protagonist of the Neapolitan School, hecompletedatleastthreemajorpieces of sacred music as well as six operas of various genres. Finished in the last fewweeks of his life, indeed in the late BaroqueperiodwhenItaly’sascendancy of the stylewas increasingly challenged by France and Germany, Pergolesi’s Stabat Mater remains one of the finest musical settings of anyMarian hymn.